Friday, October 1, 2010

Culture & Heritage - Traditional Music

AN EXOTIC ENSEMBLE OF ENCHANTING EXPERIENCES

Malaysia's multi-cultural and multi-racial heritage is most prominently exhibited in its diverse music and dance forms. The dances of the indigenous Malay, Orang Asli and different ethnic peoples of Sabah and Sarawak are truly exotic and enchanting. As the Chinese, Indians and Portuguese settled in Malaysia, the traditional dances of their homelands became a part of Malaysia's culture and heritage.

DANCE
 
Malay Mak Yong
Originating from Patani in Southern Thailand, Mak Yong was conceived to entertain female royalty, queens and princesses, when their men were away at war. Combining romantic drama, dance and operatic singing, tales of the golden age of the Malay kingdoms are dramatised in enchanting performances.


Kuda Kepang
Kuda Kepang is a traditional dance brought to the state of Johor by Javanese immigrants. Dramatising the tales of victorious Islamic holy wars, dancers sit astride mock horses moving to the hypnotic beats of a percussion ensemble usually consisting of drums, gongs and angklungs.


Zapin
Islamic influence on Malaysian traditional dance is perhaps most evident in Zapin; a popular dance in the state of Johor. Introduced by Muslim missionaries from the Middle East, the original dance was performed to Islamic devotional chanting to spread knowledge about the history of the Islamic civilization.


Joget
Malaysia's most popular traditional dance, is a lively dance with an upbeat tempo. Performed by couples who combine fast, graceful movements with playful humour, the Joget has its origins in Portuguese folk dance, which was introduced to Melaka during the era of the spice trade.


Tarian Lilin
Also known as Candle Dance, it is performed by women who do a delicate dance while balancing candles in small dishes.


Silat
One of the oldest Malay traditions and a deadly martial art, Silat is also a danceable art form. With its flowery body movements, a Silat performance is spellbinding and intriguing.


Chinese Lion Dance
Usually performed during the Chinese New Year festival, Lion Dance is energetic and entertaining. According to the legend, in ancient times, the lion was the only animal that could ward off a mythological creature known as Nian that terrorized China and devoured people on the eve of the New Year. Usually requiring perfect co-ordination, elegance and nerves of steel, the dance is almost always performed to the beat of the tagu, the Chinese drum, and the clanging of cymbals.


Dragon Dance
The dragon is a mythical creature that represents supernatural power, goodness, fertility, vigilance and dignity in Chinese culture. Typically performed to usher in the Chinese New Year, the Dragon Dance is said to bring good luck and prosperity for the year to come. Usually requiring a team of over 60 people, this fantastic performance is a dazzling display of perfect co-ordination, skill and grace.


Indian Bharata Natyam
This classical Indian dance is poetry in motion. Based on ancient Indian epics, this highly intense and dramatic dance form uses over 100 dance steps and gestures. As mastery requires many years of practice, some children begin learning the dance form at the age of five.


Bhangra
Bhangra is a lively folk music and dance form of the Sikh community. Originally a harvest dance, it is now part of many social celebrations such as weddings and New Year festivities. Typically centered around romantic themes with singing and dancing driven by heavy beats of the dhol, a double-barreled drum, the bhangra is engagingly entertaining.


Sabah & Sarawak Ngajat
The Warrior Dance is a traditional dance of Sarawak's Iban people. This dance is usually performed during Gawai Kenyalang or 'Hornbill Festival'. Reputedly the most fearsome of Sarawak's headhunters, the tribe's victorious warriors were traditionally celebrated in this elaborate festival. Wearing an elaborate headdress and holding an ornate long shield, the male warrior dancer performs dramatic jumps throughout this spellbinding dance.


Datun Julud
The Hornbill Dance is a traditional dance of Sarawak's Kenyah women. Created by a Kenyah prince called Nyik Selong to symbolize happiness and gratitude, it was once performed during communal celebrations that greeted warriors returning from headhunting raids or during the annual celebrations that marked the end of each rice harvest season. Performed by a solo woman dancer to the sounds of the sape, beautiful fans made out of hornbill feathers are used to represent the wings of the sacred bird.


Sumazau
Sumazau is a traditional dance of Sabah's Kadazan people. Usually performed at religious ceremonies and social events, it is traditionally used to honor spirits for bountiful paddy harvests, ward off evil spirits and cure illnesses. Male and female dancers perform this steady hypnotic dance with soft and slow movements imitating birds in flight.


Bamboo Dance
Another highly popular and entertaining traditional dance is Bamboo Dance. Two long bamboo poles are held horizontally above the ground at ankle-height. They are clapped together to a high-tempo drumbeat. Requiring great agility, dancers are required to jump over or between the poles without getting their feet caught.


Orang Asli
The traditional dances of the Peninsular Malaysia's Orang Asli are strongly rooted in their spiritual beliefs. Dances are commonly used by witch-doctors as rituals to communicate with the spirit world. Such dances include Genggulang of the Mahmeri tribe, Berjerom of the Jah-Hut tribe and the Sewang of the Semai and Temiar tribes.



The Portuguese of Melaka Farapeira
The Farapeira is a fast, cheerful dance usually accompanied by guitars and tambourines, performed by couples dressed in traditional Portuguese costumes.


Branyo
Favoured mainly by the older Portuguese generation, compared to the Farapeira the Branyo is a more staid dance. Male dancers dressed in cowboy-like costumes and female dancers dressed in traditional baju kebayas with batik sarongs sway to the steady rhythm of drums and violins.

Thursday, September 30, 2010

Culture & Heritage - Traditional Attire

A DAZZLING TAPESTRY OF ASIAN TRADITIONS
From magnificent tribal head-feathers with bark body-covers to antique gold-woven royal songket fabric, the array of Malaysia's traditional costumes and textiles are stunningly diverse and colourful.

In the early days, the aboriginal tribes wore native bark costumes and beads. With the advent of the ancient kingdoms, hand-loomed fine textiles and intricate Malay batik were used by the Malay royalty. As foreign trade flourished, costumes and textiles such as Chinese silk, the Indian pulicat or plaid sarong and the Arabian jubbah a robe with wide sleeves were introduced to the country.

Today, traditional attire such as the Malay baju kebaya, Indian saree and Chinese cheongsam are still widely worn.


Malay
Before the 20th century, Malay women still wore kemban, just sarongs tied above the chest, in public. As Islam became more widely embraced, they started wearing the more modest yet elegant baju kurung. The baju kurung is a knee-length loose-fitting blouse that is usually worn over a long skirt with pleats at the side. It can also be matched with traditional fabrics such as songket or batik. Typically, these traditional outfits are completed with a selendang or shawl or tudung or headscarf.


The traditional attire for Malay men is the baju melayu. The baju melayu is a loose tunic worn over trousers. It is usually complemented with a sampin - a short sarong wrapped around the hips. 


Chinese
Comfortable and elegant, the traditional cheongsam or 'long dress' is also a popular contemporary fashion choice for ladies. Usually, it has a high collar, buttons or frog closures near the shoulder, a snug fit at the waist and slits on either one or both sides. It is often made of shimmering silk, embroidered satin or other sensual fabrics.

Indian
The saree is the world-renowned traditional Indian garment. A length of cloth usually 5-6 yards in width, the saree is worn with a petticoat of similar shade and a matching or contrasting choli or blouse. Typically, it is wrapped around the body such that the pallau - its extensively embroidered or printed end - is draped over the left shoulder. The petticoat is worn just above or below the bellybutton and functions as a support garment to hold the saree. Made from a myriad of materials, textures and designs, the saree is truly exquisite.
Popular with northern Indian ladies is the salwar kameez or Punjabi suit; a long tunic worn over trousers with a matching shawl.

The kurta is the traditional attire for men on formal occasions. It is a long knee-length shirt that is typically made from cotton or linen cloth.


Baba Nyonya
Chinese immigrants who married Malay partners wore the elegant kebaya that can be described as traditional haute couture.
Hand-made with great skill using sheer material, its intricate embroidery is equivalent to the best Venetian lacework. The pièce de résistance is a delicate needlework technique called tebuk lubang - literally to punch holes. This involves sewing the outlines of a floral motif on the fabric and cutting away the insides. When done correctly, the end result is fine lace-like embroidery on the collar, lapels, cuffs, hem and the two triangular front panels, which drape over the hips, known as the lapik.


Portuguese-Eurasian
Descended from Portuguese settlers of the 16th century, Melakan Portuguese-Eurasian's traditional attire reflect their heritage. Dominated by the colours black and red, men wear jackets and trousers with waist sashes whilst ladies wear broad front-layered skirts.


Sarawak
With its diverse ethnic groups, Malaysia's largest state, Sarawak, has a plethora of unique tribal costumes. Using a variety of designs and native motifs, common materials for the Orang Ulu or upriver tribes are hand-loomed cloths, tree bark fabrics, feathers and beads. Sarawak is known for the woven pua kumbu of the Iban tribe, songket of the Sarawak Malay, colourful beaded accessories, traditional jewellery and head adornments.


Sabah
Like Sarawak, Sabah is also blessed with a rich mix of ethnic groups. Each group adorns attire, headgears and personal ornaments with distinctive forms, motifs and colour schemes characteristic of their respective tribe and district. However, culturally different groups who live in close proximity may have similarities in their traditional attire. Notable hats and headdresses include the Kadazan Dusun ladies' straw hats, the Bajau woven dastar and the headdress of the Lotud man, which indicate the number of wives he has by the number of fold points.


Orang Asli
Traditionally living in the deep jungles of Malaysia, the Orang Asli of Peninsular Malaysia wore clothing made from natural materials such as tree barks like the terap, and grass skirts. Ornaments include skillfully woven headbands with intricate patterns that are made from leaf fronds.

Culture & Heritage - Handicrafts

FASCINATING HANDICRAFTS GALORE
Malaysia boasts a delightful variety of traditional handicrafts. Choices range from priceless authentic antiques to exquisite modern hand-made crafts.As most artisans are Muslims, Malaysian handicraft designs are heavily influenced by Islam. The religion prohibits the depiction of the human form in art. Hence, most designs are based on natural elements such as the interlacing of leaves or vines, flowers and animals.

EARTHENWARE
Popular items of traditional design include Perak's labu sayong, geluk, belanga, Chinese dragon kiln ceramics and Sarawakian tribal motif pottery. Contemporary items include vases, flower pots, decorative pottery, sculpture and kitchenware.

Labu sayong
Labu Sayong is a black-coloured gourd-shaped clay jar typically used to store and cool water. The state of Perak is renowned for this type of pottery.


Belanga
Found in many rural Malaysian homes, The belanga is often characterised by a round base and wide rim. It is often used to cook curries, as it is believed that its round base allows heat to be distributed more evenly.


Terenang
This angular-shaped jar is popularly used for storing water in the states of Pahang and Terengganu. It has a concave neck and a convex body.


Wood Crafts
Blessed with an abundance of timber in boundless tropical forests, Malaysia is renowned for an assortment of distinctive wood crafts. Traditionally, whole houses were built from elaborate hand-carved timber. Today, antique Malay-styled engraved panels, keris dagger handles, Chinese containers, unique Orang Asli spirit sculptures, intricate walking sticks, kitchen utensils and carved scented woods are among the wide range of exotic decorative items found in Malaysia.


Metal Crafts
Popular since the early days, traditional brass casting and bronze working are still used to make an array of utensils. More recently in the 19th century, with the discovery of tin in Malaysia, pewter has become increasingly popular. Metal craft products include modern decorative items, kitchen ware and traditional artifacts like tepak sireh sets, rose-water instruments and keris blades.


Hand-woven Crafts
Marvel at the creative hand-woven crafts of Malaysia. Local plant fibres and parts from bamboo, rattan, pandan and mengkuang leaves are coiled, plaited, twined and woven to produce items such as bags, baskets, mats, hats, tudung saji and sepak raga balls.

Wednesday, September 29, 2010

Culture & Heritage - Games & Pastimes

EXPERIENCE THE EXPRESSIONS OF COMMUNITY
Malaysians' strong sense of community is reflected in many of their traditional games and pastimes. These activities are still played by local children on cool afternoons and are also a communal activity during festivities such as before or after the rice harvest season and weddings.
 
Silat
This fascinating Malay martial arts is also an international sport and traditional dance form. Existing in the Malay Archipelago for centuries, it has mesmerising fluid movements that are used to dazzle opponents. It is believed that practising silat will increase one's spiritual strength in accordance with Islamic tenets. Accompanied by drums and gongs, this ancient art is popularly performed at Malay weddings and cultural festivals. 


 Sepak Takraw
Also known as sepak raga, it is a traditional ball game in which a ball, made by weaving strips of buluh or bamboo, is passed about using any part of the body except the lower arms and hands. There are two main types of sepak takraw: bulatan (circle) and jaring (net). Sepak raga bulatan is the original form in which players form a circle and try to keep the ball in the air for as long as possible. Sepak takraw jaring is the modern version in which the ball is passed across a court over a high net.


Wau
A wau is a traditional kite that is especially popular in the state of Kelantan, on the East Coast of Malaysia. Traditionally flown after the rice harvest season, these giant kites are often as big as a man - measuring about 3.5 metres from head to tail. It is called wau because its shape is similar to the Arabic letter that is pronounced as 'wow'. With vibrant colours and patterns based on local floral and fauna, these kites are truly splendid sights.


Gasing
A gasing is a giant spinning top that weighs approximately 5kg or 10lbs and may be as large as a dinner plate. Traditionally played before the rice harvest season, this game requires strength, co-ordination and skill. The top is set spinning by unfurling a rope that has been wound around it. Then it is scooped off the ground, whilst still spinning, using a wooden bat with a centre slit and transferred onto a low post with a metal receptacle. If expertly hurled, it can spin for up to 2 hours.


Wayang Kulit
Wayang kulit is a traditional theatre form that brings together the playfulness of a puppet show, and the elusive quality and charming simplicity of a shadow play. The flat two-dimensional puppets are intricately carved, then painted by hand.It is either made of cow or buffalo hide. Each puppet, a stylised exaggeration of the human shape, is given a distinctive appearance and not unlike its string puppet cousins, has jointed "arms". Conducted by a singular master storyteller called Tok Dalang, wayang kulit usually dramatises ancient Indian epics.



Congkak
Congkak is a game of mathematics played by womenfolk in ancient times that only required dug out holes in the earth and tamarind seeds. Today, it is an oval solid wood block with two rows of five, seven, or nine holes and two large holes at both ends called "home". Congkak, played with shells, marbles, pebbles or tamarind seeds, requires two players.


Chingay
Famously from the state of Penang, Chingay or The Giant Flags Procession is a spectacular procession that celebrates the arrival of spring during the New Year season. Its trademark elements are giant triangular flags and lanterns. These flags on equally huge poles are balanced on performers' foreheads, chins, lower jaws and shoulders. Other entertainers include dancers, jugglers and magicians.


Sepak Manggis
Sepak manggis is a unique outdoor game played by the Bajau and Iranun men of Sabah. Forming a circle and facing each other, players aim to strike the bunga manggis floral carrier that dangles from a 10-metre high pole. The winner will be rewarded with money, gifts or edibles, which are in the carrier.


Culture & Heritage - Architecture

AN AMAZING ARCHITECTURAL AMALGAM
A fascinating fusion of tradition and modernity, Malaysia's architecture today is a reflection of Asia's many styles, cultures and religions. These influences include Hindu-Indian, Arab-Muslim, Chinese and European. Portuguese, Dutch and British colonization have also influenced local architecture. Now, the country embraces an independent modern Malaysian vision whilst staying true to its rich culture and heritage.

TRADITIONAL ARCHITECTURE

Malay
Traditional Malay architecture employs sophisticated architectural processes ideally suited to tropical conditions such as structures built on stilts, which allow cross-ventilating breeze beneath the dwelling to cool the house whilst mitigating the effects of the occasional flood. High-pitched roofs and large windows not only allow cross-ventilation but are also carved with intricate organic designs.

Traditional houses in Negeri Sembilan were built of hardwood and entirely free of nails. They are built using beams, which are held together by wedges. A beautiful example of this type of architecture can be seen in the Old Palace of Seri Menanti in Negeri Sembilan, which was built around 1905.


 Another truly magnificent example of Malay architectural creativity is the Istana Kenangan in the royal town of Kuala Kangsar. Built in 1926, it is the only Malay palace made of bamboo walls.


Today, many Malay or Islamic buildings incorporate Moorish design elements as can be seen in the Islamic Arts Museum and a number of buildings in Putrajaya - the new administrative capital, and many mosques throughout the country.

Chinese
In Malaysia, Chinese architecture is of two broad types: traditional and Baba-Nyonya. Examples of traditional architecture include Chinese temples found throughout the country such as the Cheng Hoon Teng that dates back to 1646.

 Many old houses especially those in Melaka and Penang are of Baba-Nyonya heritage, built with indoor courtyards and beautiful, colourful tiles.


 A rare architectural combination of Chinese and Western elements is displayed by Melaka's Terengkera Mosque. Its pagoda-like appearance is a fine example of Chinese-influenced roof form, combined with Western detailing in its balustrades and railings.



Indian
With most of Malaysian Hindus originally from Southern India, local Hindu temples exhibit the colourful architecture of that region.

Built in the late nineteenth century, the Sri Mahamariaman Temple in Kuala Lumpur is one of the most ornate and elaborate Hindu temples in the country. The detailed decorative scheme for the temple incorporates intricate carvings, gold embellishments, hand-painted motifs and exquisite tiles from Italy and Spain. 



The Sikhs, although a small minority, also have their temples of more staid design in many parts of the country.



Indigenous Peoples of Sabah & Sarawak
Two unique architectural highlights of the indigenous peoples of Sabah and Sarawak are longhouses and water villages.

Homes to interior riverine tribes, Longhouses are traditional community homes. These elongated and stilted structures, often built of axe-hewn timber, tied with creeper fibre and roofed with woven atap or thatched leaves, can house between 20 to 100 families.


Rustic water villages built on stilts are also commonly found along riverbanks and seafronts. Houses are linked by plank walkways with boats anchored on the sides. Transport around the village is usually by sampan or canoe.



COLONIAL PERIOD STYLES
The architectural styles of the different colonial powers are used in many buildings built between 1511 and 1957.

Portuguese
The most notable example of Portuguese architecture in Malaysia is the A'Famosa fort in Melaka, which was built by Alfonso d'Albuquerque in 1511. Nearly annihilated by the Dutch, only a small part of the fortification is still on the hill overlooking the Melaka town, old port and the Straits of Melaka.


Dutch
Located in Melaka Town, the Stadthuys with its heavy wooden doors, thick red walls and wrought-iron hinges is the most imposing relic of the Dutch period in Melaka. It is a fine example of Dutch masonry and woodworking skills. Built between 1641 and 1660 it is believed to be the oldest building in the East.


 British
Among the most significant landmarks built by the British is the Sultan Abdul Samad Building, which grandly overlooks the Merdeka Square, Kuala Lumpur. This Moorish beauty, completed in 1897, served as the Colonial Secretariat offices during the British administration.
Pre-Merdeka or pre-independence shophouses still emanate the characteristic charm of their earlier days. A display of English ingenuity is the 'five-foot-way' or covered sidewalk designed to shield pedestrians from the heat and rain.